P.O.V.– PHIL OCHS ¡VIVA!
This post is adapted from a paper about “witnessing” and first-person POVs in songwriting, so it’s a little up its own ass but it still means something. It continues from an earlier review of Sun Kill Moon and talks about writers who use their positions as songwriters and “witnesses” to tell political and personal stories. This section deals … Continue reading “P.O.V.– PHIL OCHS ¡VIVA!”