Oh yeah! Sorry for the 2 month furlow. I missed a month for the ninebullets.net 4th Anniversary Party (which was way awesome!) and I missed a month based on total I dunno. Honestly, I’d planned to do an October podcast but the month just kind of got away from me. Not that any of that shit matters now. It’s November, turkey day is around the corner and the podcast is back so let’s talk about it….
The November show features a really drunk me (can you tell where I turned off the drunk recording of this show and came back sober?) and new music from 9B staples Kasey Anderson, Whitey Morgan & The 78’s, The Steeldrivers, Joseph Huber (.357 String Band), John Mellencamp and Drag The River. It also features some music from some new found 9B faves like The Cur Dogs, Truckstop Darlin’ and Doc Dailey.
All in all, I think this is a great collection of music for your Thanksgiving travels. Listen, love, order a Jack and Coke from your stewardess and let’s do this! Also, really, you have no idea how far a comment, an email or any sort of acknowledgment that people are actually listening/enjoying these things goes….so please, if you like the 9B podcast, let me know but only after you’ve tweeted and posted on Facebook about it.
Enjoy and I’ll holler at y’all in December (i promise, I’ve already pulled out Robert Earle Keene’s, “Merry Christmas From The Family“).
- Intro [00.00.00]
- Autopsy IV Commentary [00.02.40]
- Kasey Anderson – The Wrong Light [00.04.28]
- Arliss Nancy – Paul Revere [00.08.56]
- Beastie Boys – Paul Revere [00.12.00]
- The Cur Dogs – Kro-Bride [00.15.44]
- Truckstop Darling – Bluegrass State [00.19.47]
- Doc Dailey and Magnolia Devil – Sunday School [00.24.47]
- Autopsy IV Commentary [00.28.01]
- Whitey Morgan & the 78’s – Bad News [00.29.16]
- The Steeldrivers – The Price [00.34.16]
- Joseph Huber – Downtime [00.38.20]
- Joshua Black Wilkins – Backseat of Her Car [00.42.00]
- John Mellencamp – County Fair [00.45.10]
- Grayson Capps – Mermaid [00.48.48]
- Will Quinlan & The Diviners – The Thieving Life [00.52.44]
- Autopsy IV Commentary [00.57.22]
- Drag The River – Here’s To The Losers [00.58.26]
Today’s Top 5 wouldn’t have happened at all had it not been for the bad asses I converse with on Twitter. When the idea was pitched I didn’t think I’d be very good at it (I don’t normally buy soundtracks) but it turned out to be pretty easy for me. So, today’s Top 5 is Movie Soundtracks and here are mine:
Pump Up The Volume: This movie was my version of everyone’s Breakfast Club and it was my first exposure to the greatness that is Leonard Cohen. As I side note, I had quite the crush on Samantha Morris for a few years after seeing this movie.
Singles: In hindsight, the movie doesn’t carry much but at 19 this movie spoke to me man. The soundtrack was a virtual who’s-who of the Seattle music scene (sans Nirvana) and I think everyone I knew owned a copy. Weight
The Crow: This movie came in with tons of momentum and went with a wimper. That is, unless, you moved within the Goth scene. Cause then, you could see losers wearing Crow makeup to the club some 10 years after the movie. That said, the soundtrack was the tits.
Judgment Night: Truth? I’ve never seen this movie but I’ve owned the soundtrack as long as it’s existed. If that doesn’t speak to the quality of the soundtrack then I don’t know what will. When is was coming out our local “metal” station kept playing tracks from it and the mix between metal and aggressive hiphop had me sold from day one.
O’ Brother, Where Are Thou?: Certified 7 times platinum, Grammy award winner and a constant member of print and web “Best Country Album Ever” lists. To say this soundtrack was a beast is a complete understatement. It, ever so briefly, singlehandedly made the general population pay attention to mountain music again
Okay…..What Are Yours?
Told y’all I’d get back on the grind. I’d like to say that I’m sorry for missing last month and the truth is….I am….mostly. At the same time, the month off was nice. Unless you’re doing a monthly podcast, I don’t think you can appreciate just how fast each month passes. How people do weekly podcasts is quite simply beyond me. That said, enough about my whining. Let’s talk about this month’s podcast….
Most months I make a pretty concentrated effort to play new music, so I decided to just let the songs dictate what would get played this month. The end result was probably the most fun I’ve had assembling a podcast in a while. With that said, it seems that as the podcast wears on the undertone of the songs gets darker and darker. I’m not sure why that happened. My only guess is that the thunderstorms right outside my window while I was listening to and selecting the music played an influential role in what you’re gonna hear this month.
I decided to pay a slight homage to the show Justified. Now, I know I haven’t talked about Justified here on ninebullets, but if you follow me on Twitter or Facebook you know I was watching it. The show started off slowly and Raylan was a little bit too much of a cocksure Superman, but as the season wore on I thought the writers did a pretty good job of showing that this cocksure Superman complex was as much Raylan’s Achilles Heel as it was his mojo, and I’m already looking forward to next season. From there we just rambled through a collection of songs both old and new with no real direction until “Bloodshot Eyes” by Possum Jenkins. From there it’s a steady trip down into a darker and darker mood. I wanna say that I didn’t choose Tim Barry’s song “222” lightly. There are certain song’s like “Darby’s Song” by Lucero that should be treated with a proper amount of respect, and “222” falls into that class of song. Normally, “the proper amount of respect” would include NOT putting it on a podcast and I tried to avoid putting it on here, but no matter what track I tried to put in its place nothing fit the tone as well, so in the end I decided that “the proper amount of respect” sometimes means it’s played when it needs to be played….even if it’s on my stupid little podcast. I hope one or two of you agree.
Anyhow, I’ll drink whiskey and record another one of these next month. If you enjoyed this month’s please tell your Facebook and Twitter followers about it, I’ll greatly appreciate it.
- Patty Loveless – You’ll Never Leave Harlan Alive [00.00.00]
- Eileen Jewell – You’re Lookin’ At Country [00.06.04]
- Autopsy IV Commentary * [00.08.04]
- The Only Sons – Temptation [00.09.24]
- Micah Schnabel – Throwing Rocks At The Sun [00.11.32]
- The Takers – Social Smoker [00.13.26]
- I Can Lick Any Sonofabitch In The House – Postcards and Apologies [00.17.04]
- Lucero – Darken My Door [00.22.04]
- Autopsy IV Commentary * [00.25.32]
- Possum Jenkins – Bloodshot Eyes [00.27.04]
- The Wells – I Had A Dream, Jesse [00.31.08]
- Grayson Capps – Mermaid [00.34.06]
- Mario Matteoli – Sun Keeps On Beatin’ Down [00.38.52]
- Autopsy IV Commentary * [00.42.24]
- Have Gun Will Travel – Soles Of Our Shoes [00.44.12]
- Chuck Ragan – Get ‘Em All Home [00.47.16]
- Tim Barry – “222” [00.52.36]
- Autopsy IV Commentary * [00.56.36]
- Joe Pugg – Not So Sure [00.57.16]
* All music heard in the background of my talking was from Jack Rose’s latest (last) album, Luck In The Valley.
This weekend managed to prove once again that I am getting too old to party like a rock star two nights in a row. The whole thing began Friday night where I set out to, and I quote myself here, “get Lucero drunk”, and I am happy to announce that the mission was a complete success. The trade off of that is that recollection of the show is slightly hazy. A lot of the reviews I read leading up to Lucero’s show here were about the crowd. That frat boy concentration levels were reportedly getting dangerously high, but I didn’t really notice it being a problem here in Tampa. That said, the only complaint about the show would have to have been the crowd, but it was a completely expected complaint. See, as a bands popularity and attending crowds grow, the devotion level of the crowd begins to get diluted. While there was no shortage of people at Czar who where there to be seen rather than to see Lucero, they didn’t hurt the quality of what was happening on the stage, so let’s talk about that…and horns.
The band arrived in town in better spirits, shape, and sanity than I’ve ever seen them. That said, the band has a reputation to uphold here in Florida and as the band took the stage the whiskey river started flowing. The band ran through a nice mix of tracks from the new album (with their newly integrated horns) and songs from the new album, 1372 Overton Park. The first twenty feet off the stage were the usual suspects you’d see at a Lucero show, glasses raised, eyes a little glazed and singing every word as if they were the backup singers. My night ended with a stirring version of “Mom” ’cause my wife (and designated driver) had to be at work quite early the next morning, but I stumbled out of Czar drunkenly slurring about how good the band sounded and promptly passed out in the truck. For the uninitiated, that means the show was a complete success.
I am blessed with the inability to get a hangover. It’s a blessing and a curse, but I woke up Saturday morning no worse for wear and started getting ready for Have Gun Will Travel. The group I was supposed to be going to HGWT with slowly declined as the day wore on since most of my friends are not immune to hangovers, and by the time I needed to leave my group had dwindled to being just me. I worried that the Lucero show the night before was gonna have a similar effect on others, making HGWT’s show a sparsely attended event, but those worries we quickly put aside as the crowd continued to grow while Lauris Vidal and Whiskey Gentry played their sets.
I have to admit I missed all of Lauris Vidal and about half of Whiskey Gentry due to interviewing Whiskey Gentry and Have Gun over at Fuma Bellas (look for those to be posted next week) during the concert. I was very excited to see Whiskey Gentry, having known Lauren (singer) from her previous band, Missy Secret and the Gossip Keepers. Whiskey Gentry was way more uptempo, eschewing the “old time country” sound for a bluegrass element. I was told that they were trying to work out an arrangement with HGWT that would get them down this way more often and take HGWT up to Atlanta on a more regular basis. Hopefully that will work out, ’cause these guys had the vibe and energy that could make them become the new Weary Boys for New World. Anyone who ever came to a Weary show at New World knows what I am talking about.
Up next were the stars of the party, Have Gun Will Travel, and by now the crowd had reached the point where I was nothing short of proud of Tampa. The band noticed it too, managing to comment on how awesome it was multiple times throughout the night. Speaking of awesome, HGWT was nothing short of awesome on that Saturday night, playing every song off their new album, Postcards From The Friendly City (call me crazy but I think they played one twice), and all the crowd’s favorites from their previous album, Casting Shadows Tall As Giants. The band played well into the night and the crowd stuck with them through the whole show. I can honestly say that I was not ready for the show to be over as the band walked off stage, which is a rarity for me since it was two in the morning and I still had a 30 minute drive home. I think that’s honestly the highest compliment I can pay the show, that when it was over I wanted more. They’ll be playing around the area quite a bit in the coming weeks/months in support of the cd. You should make a point to catch them a couple of times, they truly one of Tampa’s treasures.
Well, here we are on our seventh podcast and I think I’ve gotten the swing of things. No longer do I feel too silly talking to myself in the middle of the night, and I think I’ve really figured out how to use Mixcraft. What does that mean for you? It means that the actual creation of them will be much easier, so a greater amount of attention can be paid to the overall mixing/leveling/mastering of them. All of this will be good. Now, let’s get on with the show.
This month’s got a good chunk of unreleased material on it. We’ve got tracks from upcoming cds by Lucero, Strawfoot and Micah Schnabel (Two Cow Garage) as well as new material from brand new cds by Drivin’ & Cryin’ and Chuck Ragan. The new Lucero album is coming out on October 6 and if you live in the Tampa/St. Pete area there will be a listening party at Vinyl Fever which features pizza courtesy of yours truly but more on that in October (editors note: this was supposed to be posted in Sept.). I dunno why but for some reason in the middle of this podcast I got a hair up my ass and decided to feature nothing but female fronted bands. Why I did it aside, there is some awesome material included on the back half of the podcast including a track from Betty-Soo, an artist I was introduced to via the excellent blog, A Truer Sound.
And that’s all I gots to say about this months podcast. It’s awesome. You should listen and post about it on your blog, facebook, myspace and livejournal site. You should play it when you have sex with your self/boy/girl/person i met an hour ago friend. And you MUST come back for the October podcast! Why? Let’s get into that….
The October podcast is gonna be the first themed podcast. See, back in August some folks and myself on Twitter came up with the idea that October should be a #beerpodcast and we started getting the word out. The idea is for folks to send me some of their regional brews and I sample them/comment on them during the podcast. I think this is a fantastic idea because…well, for one, I get free booze but also because Florida has CRAP for beer selection where as the rest of y’all get all these awesome craft brews that I want to drink. Everyone tells me that if I’d ever had ______________ then I’d think Fat Tire was shit but we don’t even get Fat Tire, much less ______________ here so how would I know? So, you have a favorite craft brew? Mail me a bottle (address on the about page) and I’ll try it and as a thank you one day I’ll mail you the bottle back full of some of my personal homebrew. It’s a win-win situation. I hope to start getting box upon box of beer on my doorstep but that’s not all…..NO! The October podcast is also gonna be musical themed…
Since October is all about Halloween then we’re gonna celebrate death with the October podcast. It’s gonna be nothing but murder ballads and devil songs. If you have a favorite murder ballad of devil song….email it to me. We’ll celebrate Halloween and irritate the devil dodgers.
Here is this month’s track listing:
- Adam’s House Cat – Nine Bullets
- Autopsy IV Commentary
- Glossary – Lonely is a Town
- Micah Schnabel – American Static
- Lucero – Mom
- Autopsy IV Commentary
- Strawfoot – Churchyard Cough
- Drivin’ & Cryin’ – I See Georgia
- Chuck Ragan – Glory
- Autopsy IV Commentary
- Dan Bern – Chick Singers
- Betty-Soo – Never Knew No Love
- Eilen Jewell – High Shelf Booze
- Jessica Lea Mayfield – Kiss Me Again
- Alela Diane & Alina Hardin – Amidst The Moment
- Autopsy IV Commentary
- Amanda Blank – Something Bigger, Something Better
- Kristeenyoung – Comfort Is Never A Goal
Here we are. Another month, another podcast. Can you believe it’s been 6 months? Traffic on these is improving a little and that’s raised my spirits about doing them…I know I’m supposed to be all about doing them regardless of the amount of people who listen….and I will be, just as soon as the podcast’s monthly traffic gets in the same neighborhood as ninebullets.net’s daily traffic. That said, let’s talk about this month’s podcast.
The moment I sat down and started mapping out what songs I wanted to play this month I started getting excited. It quickly became obvious that this month’s song selection was gonna be the bomb. We got unreleased tracks from The Fox Hunt, Left Lane Cruiser, Carolyn Mark, Malcolm Holcombe, Pete Bernhard (Devil Makes Three) and Chuck Ragan, as well as newborn songs from Chad Price (Drag The River), Mat d. and the Profane Saints, The Builders and The Butchers, The Takers and Lonesome Wyatt (Those Poor Bastards) w/Rachel Brooke.
In the middle of the show I decided to do a set featuring bands who will be performing at Suburban Home‘s 14 Anniversary Weekend Party, which I’ll be attending in 15 days. Hopefully I’ll come back from it with some good stories, good pictures and a few interviews.
And that does it. I’m really happy with this month’s podcast and I think y’all will like it. Do me a favor, though. If you listen and you enjoy the show, please tell other people about it.
Thanks, everyone. ~Autopsy IV (twitter: @autopsy4)
- Adams House Cat – Nine Bullets [00.00.00]
- Autopsy IV Commentary [04.00.00]
- The Fox Hunt – It Suits Me [05.11.00]
- Carolyn Mark w/N.Q. Arbuckle – All Time Low [08.03.00]
- Lonesome Wyatt & Rachel Brooke – This Painful Summer [11.56.50]
- Autopsy IV Commentary [15.48.00]
- Chad Price – Cursed [17.30.00]
- Jon Snodgrass – Brave With Strangers [21.08.00]
- The Takers – Diamond Ring [24.14.00]
- Two Cow Garage – Swingset Assassin [27.36.00]
- Autopsy IV Commentary [30.28.00]
- Chris Knight – Highway Junkie [31.50.00]
- Malcolm Holcombe – A Bigger Plan [36.20.00]
- Deadstring Brothers – Sao Palo [39.16.00]
- Chuck Ragan – Let It Rain [45.04.00]
- Autopsy IV Commentary [47.34.00]
- Pete Bernhard – Townes [49.48.00]
- The Builders and The Butchers – Down in the Hole [53.54.00]
- Autopsy IV Commentary [57.40.00]
- Left Lane Cruiser – Black Lung [59.30.00]
- Mat D & The Profane Saints – Mudflap Mamma [63.54.00]
- The Drive-By Truckers – Play It All Night Long [67.02.00]
One of my favorite twitter friends, Romeosidvicous, posted a really nice 4 mix-tape introduction to Lucero yesterday and was kind enough to allow me to repost it here on ninebullets. I’ll let him explain the idea behind the tapes:
“I have made many Lucero CDs over the years to turn people on to their music. Today I decided that I would be lazy and simply make three one hour playlists and post them here. Now I can simply give people a URL instead of spending time making plastic discs that people just rip and file away somewhere. Three one hour playlists turned into four playlists as I decided to toss in some of Ben Nichols’ solo work as well as some tracks from his prior band Red 40. I enjoyed putting these together and I hope you will enjoy listening to them. You can get all of the music here, on the original discs, from the Lucero Store.”
Below are the first two. If you enjoy them and want to check out the other two, head over to Romeo’s blog.
I chose “Cowboy Emo” as the name of this compilation due to a rumor of the conversation between Ben and Brian that laid the groundwork for Lucero. I won’t bore you with the whole story but rumor has it that Brian described the music he wanted to play as “Cowboy Emo” during that conversation. I don’t think there’s much emo and not much cowboy in the music but it’s a fitting title nonetheless. The track archives have proper id3 tags and even some horrible cover art I threw together so they should drop nicely into iTunes or whatever you use.
- Tracks 1-3 are from the Attic Tapes which was recorded prior to the release of their first album. I have heard this was around 1999 but that could be wrong.
- Tracks 4-7 are from the boys self-titled release on Madjack from 2001.
- Tracks 8-13 are from Tennessee released in 2002. Coincidently the first Lucero song I ever heard “Sweet Little Thing” was from this album.
- Tracks 14-17 hail from That Much Further West which was described by Rolling Stone as “The country album Paul Westerberg never wrote…”. This album was released in 2004.
Tape 2 shows the growth of this band. Only having a line-up change once and going back to the original line-up has proved to be a strong point for the boys. They have grown together musically and listening to Ben’s lyrics mature from fleeting romances to deep desires has been a pleasure over the years. Of course he hasn’t stopped writing songs about drinking either but even those have a touch more maturity to them. Any band that’s been together as long as they have either sounds the same as they did at first or they grow. Lucero took the second route and each album is a little different but after a while you can still tell when there’s a Lucero song on even if you hadn’t heard it before. The first time I got to see them play live it was on the tour supporting Nobody’s Darlings and I have seen them every chance since.
- Tracks 1-5 are from Nobody’s Darlings released in 2005.
- Tracks 6-11 are from Rebels, Rogues, and Sworn Brothers released in 2006
- Tracks 11-14 are from the yet to be released 1372 Overton Park which is due out in October ‘09
It’s taken me quite some time to get around to writing this recap. Personally, I find that when writing about festivals it’s best to marinate on them for a while after they’re over. This lets the truly enjoyable moments rise to the top, and such is the case with the Deep Blues Festival.
My personal experience for this year’s festival was night and day from last. See, last year I went up to Minneapolis alone and didn’t know anyone. So as a result, it was all about the music. I saw every song by every band. This year things were different, not only did I take the wife and her friend with me, but over the past year I’d managed to become decent friends with many of the bands playing the fest. An added distraction was that the festival was in a bar this year, which not only allowed for simultaneous shows to be occurring inside as well as outside, but it also allowed a person to drink just as much as they pleased (and we did). So, while it was as much a social event as it was a music event for me this year, it was also 100% more fun. I think Chris has really struck gold by moving the festival to The Cabooze. It’s right on the light rail line with easy access to downtown restaurants and hotels and was a mighty upgrade from the field it was held in last year. Even the weather gods smiled upon this change and mostly kept the rain away. Enough about that though, let’s talk about the music a little.
Thursday night, after being up since 5:30 in the morning, we pounded a few drinks at the hotel and headed out to The Cabooze for a little Left Lane Cruiser / Radio Moscow action. We’d caught Left Lane in an empty bar here in St. Pete a few days before, so it was nice to catch them in a packed house where everyone knew all the words to all the songs. The band was obviously feeding off this energy as the show wore on, playing requests as well as a healthy selection of songs from their upcoming album. At one point during their set, Brenn (drummer) missed his drum and broke his finger on the edge of it. Instead of calling it a night, Brenn just duct taped the drumstick to his hand and soldiered on…if that ain’t rock and roll then I don’t even know what is. Unfortunately we were only able to catch 2 songs from Radio Moscow, but the early hours & excessive whiskey finally got the upper hand and we had to find a bed. I think I was asleep before my head hit the pillow.
Friday morning came and some seriously cold (for a Floridian) weather came with it, so after breakfast/early lunch I sent the wife and our friend downtown to buy us some warmer clothes. All of this resulted in us getting to the festival a lot later than we’d planned, but what are you gonna do? I’m from Florida- I do heat, not cold. We got there in time to see everyone I needed to, so let’s run through some of the highlights.
One band that came highly recommended from my buddy here in Florida was Red Clay River. Their mournful country sounds were exactly what I needed on a chilly Friday afternoon. Friday was a weird day. As I’ve said before, it was cold (even for Minnesota) and my wife and her friend were drinking at an utterly freakish pace. I mean, I’m not complaining, it was just sort of weird to see her bringing me a fresh beverage while there was still 1/4 of a drink left in my current one. While reminiscing about the festival this week, my wife had this to say about Friday, “I remember at one point thinking, I’ve never been this fucked up in public before in my life and the sun is still up.” As the day wore on, we drank with Brenn from LLC, Parker from Radio Moscow, Scotty from Poopdeflex and there is cloudy recollection of there being others, but nothing concrete. One of the “must see” bands of the festival for me was Davina & the Vagabonds, and I was center stage when they got started. Davina & The Vagabonds. In a word: sexy. In a tweet: “Davina and the Vagabonds. Music you should fuck to.“ These guys (and gal) are truly an undiscovered gem hanging out in Minneapolis. Between trips to the bar, greenroom, inside stages, outside stages & BS sessions with folks, we caught bits and pieces of Smokestack, Gravelroad, Deadeye and Porkchop, before settling in at one of the outside stages to catch the last ever performance of American Relay. They rocked the stage like there was no tomorrow and our little scene will be worse off without them. After the American Relay show we managed to catch a little bit of the T-Model Ford show before we had to leave to catch the Slim Cessnas Auto Club show in St. Paul (more on that tomorrow).
A neat story. On the way home Friday night I get an email from Matthew Dean Herman (wrote about him here). Turns out, he was in Minneapolis from Anchorage, Alaska so his daughter could attend a hockey camp. He was interested in checking out DBF before he had to leave on Saturday. I send an email back telling him how cool that would be, gave him my cell number and told him where we were staying. Turns out he was staying literally 4 doors down from us. It’s a small world indeed.
Sunday morning came and the revelry of the prior day and night had a price that needed to be paid. I finally got the wife and co. up and moving and we got to DBF in time to get a few whiskey drinks in me before Poopdeflex took the stage. Now Poopdeflex had come highly recommended from fellow Ft. Wayne resident Brenn (Left Lane Cruiser) as an act that needed to be witnessed. Poopdeflex plays a version of the blues that dabbles in metal and punk as much as it does the blues, while his treatment of the crowd is planted firmly in “hostile”, dropping nuggets such as, “God damn, they make folks ugly up here is Minnesota”, “I hear there’s are really good band playing inside, maybe you fuckers should go in there and check them out…I won’t mind” & “I hate critics, and I hate fans too”. We thought it was hilarious, but the bulk of the Minnesotans failed to see the humor in it. As the day wore on I managed to match the drinking pace the wife set the night before, while she limped along. We wandered back and forth between the inside stage and the outside stages until an (at the time) unknown gem by the name of Tom VandenAvond grabbed us by the backs of our heads. He also plays in The Woodsboss, which is the band that formed in the wake of The Weary Boys…a fact (him being a member) I didn’t know until I was talking to him later in the day. Later came the highlight of the entire weekend, The Black Diamond Heavies. Anytime the Black Diamond Heavies are in the house, odds are they’re the highlight and it’s a burden they’re proud to carry. They managed to put on the typical show, which is to say it was fucking awesome. After the Heavies I gotta be honest, my night devolves into a whiskey induced haze….a byproduct of this year’s fest being as much a social event as it was a musical event, which is to say it was fucking awesome.
Sunday, instead of going to the Gospel brunch, we elected to spend our last few hours in Minneapolis sight-seeing. We had brunch at this place called the Uptown where we drank Bloody Marys in pint glasses we got to keep and ate burgers with bacon and eggs on them. All in all, while some of the evenings started to blur and the lineup wasn’t as heavyweight-studded as last year’s, it made up for that by ramping the fun level up tenfold. As we boarded the plane to come home Sunday afternoon, the wife and her friend were already making plans to return for the fest next year.
Hopefully, there will be a next year.
Next week I’ll post a photoblog of the weekend and an interview or two.
Left Lane Cruiser – Big Mama
American Relay – Bonedry
Davina and the Vagabonds – St. Michael Vs. the Devil
Red Clay River – Letters To The Sky
Tom VandenAvond – Bones
Black Diamond Heavies – Smoothe It Out
In the hours after penning my little fuck you to the Tampa/St. Pete music fan base I got to thinking. There’s a line in the Outkast song, “Git Up, Git Out”, that says; “You need to git up, git out and git somethin / Cuz you and I got to do for you and I.” I started thinking, instead of bitching about how lazy the Bay Area music fan has become, instead of railing against the DJ culture of Tampa, instead of being a whiny bitch about it, why not try and help the people who are trying to change things in the area. And we’re going to. Just as soon as we finish this other thing…. None of this has anything to do with the Thx Mgmt show Friday night @ New World Brewery except that they’re in the same spirit…
So, on with the show.
Following my rant, Shawn Beauville from the Beauvilles emailed me to inform me of a little tour his band was taking part in. The idea was to get a collection of bands together who can pull within their own markets and put them all on the road together with the “home band” headlining their respective market. In this case, the bands are; The Beauvilles (Tampa), Thomas Wynn & The Believers (Orlando) and Shawn Fisher and the Jukebox Gypsies (Jacksonville). Joining them on the Tampa date is The Junkyard Kings. Not only is the spirit of this show something I can get behind, but the lineup has something for everyone who likes their music played live and loud right in front of them. Seems Thx Mgmt might be coming to the same conclusions as I am, cause right on the tails of this show comes The Citrus Circuit Tour featuring a whole other slew of Florida bands. But more on that later this month.
Anyhow, come on, Tampa. Come on, St. Pete. Get out to New World on Friday night and celebrate/support your local musicians. Till then, here is a sampling of what you’ll hear:
Today I’ve officially hit the wall. As of this writing, there is snow in Atlanta and the high in Central Florida is a mere 58. I am sick of winter and as I “tweeted” today, “Gimmie some sun and sweat please.” Given my mood this evening I thought this would be a perfect time to write about The Sweetheart Parade.
The Sweetheart Parade come from the despicable town of Philadelphia and consist of; Joshua Britton (vocals, guitar), Johnny Bee (upright) and Daniel Harvie (drums). The Sweetheart Parade describe their music as “broken lullabies” which I thought was a pretty witty term (especially for some people from Philadelphia). It only takes a moment of listening to them to start drawing the Jason Molina project references. Joshua’s voice not only sounds similar to Molina but the overall sound/feel of the cd is pretty similar to that of a Molina album. None of this is a bad thing mind you…well, none of it except for that whole Philly thing.
So check out Sings Like A Priest. It’s a perfect soundtrack for the waning days of winter.