TOP 5: BANDS/ARTISTS I WOULD HAVE LOVED TO HAVE SEEN:


As promised, this week’s Top 5 is for bands you would have loved to have seen but now the opportunity has been taken from you or wasn’t even an option by the time you were born. I don’t think much more really needs to be said about it, so let’s all get to listing!

Lynyrd Skynyrd: I know a tribute band currently tours under this name and by all accounts they put on one hell of a show, but man, what I wouldn’t give to have seen the original lineup in some hot, sweaty Jacksonville divebar back in the day.

Lynyrd Skynyrd – The Ballad of Curtis Lowe

N.W.A.: Scariest hiphop band to ever bust into the mainstream. Truth be told, back in the day I would have been afraid to have gone to one of their shows, but given the chance today, I’d be there with a cup of sippin’ whiskey and a faux-gangsta lean.

N.W.A. – Straight Out Of Compton

Jimi Hendrix: Jimi didn’t invent feedback, nor was he the first to successfully harness it, but nobody did it better. Fuck Jim and Janet. The true god of the hippie generation was Jimi.

Jimi Hendrix – Little Wing

Sex Pistols: I know, it’s cliche, Sid wasn’t even an important part of the band. It’s true, but he played an important part of my, albeit naive, childhood, and I’d love to have seen that live. I guess this could also have simply been called “Punk”. I would have loved to have seen the punk scene in the ‘70’s.

Sex Pistols – Pretty Vacant

Robert Johnson: IMO he’s the father of damned near everything in music that makes my dick hard. I listed him last ‘cause he is the beginning and the end of this subject for me. If Doc Brown showed up in my driveway with that sweet, sweet DeLorean and said I could travel back to see one show in the past, it would be to the 1930’s for a chance to see Mr. Johnson play his guitar.

Robert Johnson – Terraplane Blues
Robert Johnson – Come On In My Kitchen

NINEBULLETS.NET APRIL PODCAST: ONE YEAR ANNIVERSARY EDITION:


Well. I’ll be a motherfucker. I never expected to still be doing these 12 months after the first one but here we are. Furthermore, I feel as though they are an integral part of the site now days. For some reason, I don’t really care to much about the stats for the podcast but today I took a peek at them and according to the stats there are 2500 subscribers to this fucker! I don’t know if that’s a lot or a pathetic number in podcast world but I am pretty sure it’s more people than the average Rays game gets. I hope it’s 5000 by this time next year. With that said, let’s talk about this month’s podcast.

For the one year anniversary I’ve brought y’all, what I feel like, is the best podcast to date from a production standpoint….and musically it’s pretty friggin’ stellar to. I open it with a small collection of happy birthday tracks before settling into a show full of brand new material. We got brand new tracks from The Black Keys, American Aquarium, Red Clay River, I Can Lick Any Sonofabitch In The House, Gaslight Anthem and The Morning Pages. Also, in celebration of our birthday, we’re bringing you the best give away the podcast has had to date but to know about that you’re gonna have to actually listen to the damn thing. Another thing that was super cool about this month’s podcast is that there were actually requests from twitter and facebook that ended up getting played. If you have something you wanna hear played follow me on Facebook or Twitter and make a request when I solicit them next month.

As always, below you’ll find the track listing for the show. Please tell your friends and Facebook/Twitter followers about it, I’ll greatly appreciate it.

~ Autopsy IV (twitter/facebook)

Track Listing:

  1. Concrete Blonde – Happy Birthday [00.00.00]
  2. Cracker – Happy Birthday To Me [00.02.14]
  3. Jimi Hendrix – Happy Birthday [00.05.37]
  4. Autopsy IV Commentary * [00.07.50]
  5. The Black Keys – Next Girl [00.08.56]
  6. American Aquarium – Rattlesnake [00.11.59]
  7. Red Clay River – Rattlesnake Mountain [00.15.24]
  8. Autopsy IV Commentary * [00.18.52]
  9. Otis Gibbs – Joe Hill’s Ashes [00.20.39]
  10. JJ Grey & Mofro – On Palestine [00.24.00]
  11. Shannon McNally – Bohemian Wedding Song [00.28.22]
  12. Autopsy IV – Commentary * [00.34.02]
  13. I Can Lick Any Sonofabitch In The House – Ghost [00.36.11]
  14. Two Cow Garage – Postcards and Apologies [00.40.54]
  15. Gaslight Anthem – American Slang [00.45.54]
  16. Micah Schnabel – American Static [00.49.33]
  17. Autopsy IV Commentary * [00.52.30]
  18. The Morning Pages – With The Lord [00.54.52]
  19. NQ Arbuckle – Happy Birthday [00.58.08]

* All music heard underneath me talking this month was from Black Prairie‘s new album, Feast of the Hunters’ Moon.



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THE ROCK REPORT: COUNTING CROWS @ RUTH ECKERD HALL (CLEARWATER, FL.)

As much as the Violent Femmes spoke to me as an angst/hormone riddled teenager, August And Everything After spoke to me as a 20 year old manchild struggling to find my way in an adult’s world. Over the years The Counting Crows and I have grown & matured together, and as a result I’ve never been ashamed to admit that I am indeed a Counting Crows fan. That said, until Monday night I’d never seen the band live, so when Creative Loafing started looking for someone to cover the show I jumped at the opportunity.

The warnings were sent out weeks in advance, this show was structured differently and you needed to be in your seat by 7:00, else you’d be missing the show. My brother and I complied by getting there at 6:15 and pounding 6 dollar whiskey drinks until the loud speakers said we had 5 minutes till show time.

The curtains rose and we were greeted with 18 musicians all playing on a single stage. The structure of the show featured The Counting Crows, Michael Franti & Spearhead and Augustana all playing on stage together, with musicians flowing on and off stage all night. This made the show 3 1/2 hours of nonstop music, with each band getting miniature sets alone and also connected via multiband collaborations…almost a live mix from band to band to band, if you will. The flow really kept me engaged while still allowing for times to go grab a fresh whiskey drink where you knew you weren’t gonna miss what you came to see (me = crows, my brother = franti).

The Crows ran through a collection of the songs you expected to hear and some you didn’t. Being a subscriber to the Jimi Hendrix theory of “if you wanted to hear the album you should have stayed home and listened to it”, I appreciated the fact that each song was given its own treatment live instead of just playing it the way you’re used to hearing it on cd and the radio. Conspicuously missing from the Crows’ setlist was “Mr. Jones” and “Perfect Blue Buildings”. While I was surprised at the absence of “Mr. Jones” I could understand and respect why they omitted it from the show, but I was admittedly disappointed in not getting to hear “Perfect Blue Buildings” in a live setting.

Michael Franti & Spearhead’s contribution to the night was largely based in a hiphop infused reggae sound that, while engaging enough, isn’t really my thing and I largely used their mini-sets for my whiskey breaks.

Augustana was the great unknown for myself and it was difficult to get a gauge on their music based on what little solo time they got during the show, but their performances while on stage with Franti and the Crows did impress me enough that did download two of their albums today (yes, i admit it…god killed two kittens today because of me).

As Andy (my brother) and I left Ruth Eckerd with a tipsy heads and muffled ears we both agreed that The Traveling Circus and Medicine Show was, in a word (or so), A Fucking Awesome Show and I doubt I’ll be missing the next Counting Crows tour.

Unless it comes to that p.o.s. amphitheater.

You can see more pictures courtesy of Traci May here.

Augustana – 20 Years
Michael Franti & Spearhead – Hello Bonjour
Counting Crows – A Long December

Augustana & The Counting Crows – Just Like A Woman (Live From Ruth Eckerd Hall)