I am about to go do the final walk-thru on the house and then it’s off to the title office for closing. Nothing like incurring a mountain of debt with a smile on your face and everyone you know patting you on the back. And! and, we are buying a house 3 blocks off the beach 2 days before hurricane season starts. Yup, we’re brilliant…but seriously, I’m excited about it.

See y’all Monday.

Tennessee Ernie Ford - Sixteen Tons

Tampa/St. Pete: Don’t forget Jason Isbell is playing Crowbar tomorrow night. Come out and help me celebrate my first home purchase with a whiskey drink and a rock show.

Jason Isbell - Try

Edit: It is done. I am officially a homeowner…I celebrated by taking the wife straight (in a, do not pass go, do not collect 200 dollars) from the closing agency to the furniture store to buy a couch and chair she’s been stalking for a month. Followed by the first of what will be (i’m told) many trips to Lowe’s for home repair shit.

May 30, 2008 8:20 am · Autopsy IV · Music

Oh shit! Two days. Two Swedish bands. If it weren’t the fact that over the two years of ninebullets existence this might be the fifth Swedish band I’ve written about you could mistake me for Swedesplease. Well, there’s that and the little things like the fact that they wrote about Lancaster Orchestra’s cd, Never Cried Once When I Could Have, back in 2006 when it was new. New or not, ninebullets.net’s goal is to write about good music not just good new music…and to say Never Cried Once When I Could Have is good is an understatement.

Swedesplease called it “(a) blend of Neil Young inspired Americana music married to American Music Club’s lyrical moroseness”. Jason Molina and his Magnolia Electric Company was the first thing to jump to my mind while I was listening to it…but then, everyone compares Magnolia Electric Company to Neil Young so I guess it’s six in one hand, half dozen in the other. Essential Listening in both. Check it out.

The Lancaster Orchestra - Pocketchange
The Lancaster Orchestra - Rocks, Spits and Cries
The Lancaster Orchestra - I Wish We Never Met

The Lancaster Orchestra’s Official Site, The Lancaster Orchestra on myspace, Buy Never Cried Once When I Could Have

May 29, 2008 1:08 pm · Autopsy IV · Lancaster Orchestra, essential

Sometimes, you just see a band name or an album name and you paint this picture in your mind of what their music is gonna be like. Such was the case with the group Hellsongs. I saw the name HellSongs and the album title Hymns in the Key of 666, and right there I decided this was gonna be some serious Doom Country, in the vein of Those Poor Bastards or Sons of Perdition. I really didn’t even spend enough time on the emusic page to notice the cover art or the “rock/pop” genre classification, hell, I didn’t even bother looking at the track listing. All it took to pique my interest was Hellsongs and Hymns in the Key of 666, and I just knew that it was going to be Doom Country. I was sure of it. Furthermore, not only was it Doom Country, but by the time it made it to my thumb drive and got plugged into my stereo, I had decided it was awesome Doom Country.

I could not have been more wrong.

Hellsongs fashion themselves as “LoungeMetal” and what they do is reinterpret metal classics as acoustic/electronic songs more fit for a coffee shop. Remember when Tori Amos released that cover album which featured a cover of Slayer’s “Raining Blood”? Yeah? Well, it’s exactly like that, except that Hellsongs actually pulls it off and manages to make the songs their own, ala Richard Cheese minus the Vegas lounge kitch. Over 10 tracks these Swedes manage to reinvent Metallica, Sabbath, Slayer, Iron Maiden and others, including a particularly interesting remake of Megadeth’s “Symphony of Destruction”.

I’m not saying this is something you’ll put in heavy rotation, but it is a fun listen. It also makes for an entertaining album to put on when you have company and watch as they have an internal struggle trying to figure out just what it is they are listening to.

Hellsongs - Symphony of Destruction
Megadeth - Symphony of Destruction

Hellsongs - Paranoid
Black Sabbath - Paranoid

Success: Hellsongs - Seasons in the Abyss
Failure: Tori Amos - Raining Blood

Slayer - Seasons in the Abyss
Slayer - Raining Blood


Hellsongs Official Site, Hellsongs on myspace, Buy Hymns in the Key of 666

May 28, 2008 1:48 pm · Autopsy IV · Hellsongs, covers

Dave Insley’s path to country music seems to be another version of a now fairly common story for many Texas honkytonk musicmakers: Blue collar working parents with an extensive country/western vinyl collection, skip forward to a kid playing in various country and rock bands, then and at some point finds himself trying to mesh punk rock and country into something he could call his own. Somewhere along the way the rock fades and the pedal steel swells aaand another punk rock vet turns honky tonk hero. It’s an odd progression, but it happens so often it has to be natural in some fashion. Hell, here I am as a listener…another punk rock refugee turned country/honky tonk/blues blogger.

While the punk rock sounds have faded away, the DIY ethos are still front and center with Dave. There’s no Nashville address, no New York publicist, and if you send an email to Dave you’ll get a reply; from Dave. West Texas Wine is his third solo release with his backing band, The Careless Smokers. It features 10 tracks with a mix of upbeat originals and obscure covers that range from classic honky tonk to tongue in cheek, but always tight and familiar without feeling worn out. Check out ol-what’s-his-name.

Dave Insley - Beatin’ Ya Down
Dave Insley - Exit 93

Dave Insley’s Official Site, Dave Insley on myspace, Buy West Texas Wine

May 27, 2008 1:33 pm · Autopsy IV · Dave Insley

Wanna see some seriously awesome segue skills? The post below here contains a Split Lip Rayfield track and now I am gonna post about the new episode of It Burns When I Pee which features an interview with Wayne Gottstine from Split Lip Rayfield…

BOOYAHKASHA!

Folks, it’s that kinda shit right there that separates the blogging boys from the blogging men.

They also feature music from a little band out of Atlanta we recently discussed and are great fans of, Missy Gossip and The Secret Keepers.

Go have a listen.

May 23, 2008 3:03 pm · Autopsy IV · Music

We’re Baaaacccckkk…

The Lucero Message Board has made a triumphant return and the regular posters are beginning to wander back in. By next month everything will be back to normal. The May compilation was made while the message board was still down. This time around it included folks from the Drag the River message board as well. Unfortunately, I did not get in on the submissions for the May comp so I’m like you…a mere listener. One fella that has really stood out to me is Roger Alan Wade. He has two tracks from his new cd, Stoned Traveler, featured on the comp and those were enough to prompt me to buy the cd.

You can d/l the entire comp here and you can check out the official comp. thread over on the message board for track by track commentary.

Have a safe weekend. Here is the track listing:

  1. Roger Alan Wade - Brainerd Road
  2. Bikini Kill - Feels Blind
  3. Olin and The Moon - Like You Used To Do
  4. fIREHOSE - Slack Motherfucker
  5. William Bell - Any Other Way
  6. Thin Lizzy - Get Out Of Here
  7. The Ergs! - Saturday Night Crap-o-Rama
  8. Steve Turner - Living Trough The Mistakes
  9. Tim Bluhm - Squeaky Wheel
  10. Duane Jarvis - Squeaky Wheel
  11. O’Death - Adelita
  12. Tim Barry - South Hill
  13. Split Lip Rayfield - Never Make It Home
  14. Chad Rex and the Victorstands - Dead Man Rising
  15. Charlie Robinson - John O’Reilly
  16. Thomas Barnett & Rob Huddleston - Here Comes a Regular
  17. Marty Jones - Drivin’ Into Lincoln
  18. The Monkees - What Am I Doing Hanging Around?
  19. Archers of Loaf - Harnessed in Slums
  20. Elliott - Calm Americans
  21. Tim Barry - Dog Bumped
  22. Blind Willie Johnson - Church I’m Fully Saved Today
  23. Roger Alan Wade - The First Time I Saw Waylon
  24. The Low Country - Lord I Want An Exit
1:10 pm · Autopsy IV · compilations

When I was a kid I knew Waycross, Georgia because it had a Burger King and when I was going up to see family we’d stop there. Waycross was also the hometown of the Burt Reynolds character, Stroker Ace. The latest thing to bring the fine town of Waycross to my consciousness is the Shut Eye Records artists, Hayshaker. Hayshaker features the husband and wife duo of CC and Laurie Rider sharing vocal duties with guitarist T.W. Lott and drummer Frank Sikes rounding out the quartet.

Hayshaker made the hour and a half trek down to Jacksonville’s Vision Sound Studios to record their seven track Shut Eye debut, Black Holiday in Mexico City. One thing the cd does not suffer from is repetition. In the matter of seven tracks Hayshaker experiments with the traditional pedal-steel, guitar picking, SCOTS-esque drinking song that is “Lauries Song” to the roots rock sound of Black Holiday to the straight ahead rock stylings of Dirtkick the band is comfortable enough with themselves to just play what comes out instead of sticking to a definitive sound. I’m not suggesting that the album feels disjointed though, CC & Laurie’s distinctive voices and harmonies do plenty to glue the collection together.

Check out the two tracks below. The band mailed me one extra copy of Black Holiday so if you like what you hear below drop me an email with a mailing address. First person to do so will get a free copy. CD Claimed.

Hayshaker - Laurie’s Song
Hayshaker - In the Snow

Hayshaker on myspace, Buy Black Holiday in Mexico City

May 22, 2008 1:00 pm · Autopsy IV · hayshaker

I came to know Faith No More the same way that probably 95% of their fan base did…via a fish outta water flopping around in slow motion on MTV while Mike Patton kept asking “What is It?” Here we are nineteen years later…

Wait a minute. WTF?
Are you serious?
It’s been nineteen years since The Real Thing was released?
Jesus fuck, I’m getting old.

Anyway, where was I? Oh yes, nineteen (shakes head) years later, I still have no idea what “It” actually is, but I am guessing that It is also what was in the box in Pulp Fiction…just a little theory of mine. While their follow-up albums never really caught my attention in quite the same manner as The Real Thing, there always seemed to be enough songs on them that I liked that I always ended up buying the albums. Somewhere along the line I even picked up their pre-Patton debut, Introduce Yourself, but as a whole I always preferred the Patton fronted FNM over the Chuck Mosley fronted version. Well, last week (on my birthday, incidentally), the label released a 3 cd set containing every track you remember, some you forgot and a couple you probably never even heard. The collection features both singers and plenty of rock. Check it out.

Faith No More - Epic
Faith No More - We Care A Lot
Faith No More - Midlife Crisis

Faith No More’s Official Site, Buy The Works

May 21, 2008 10:34 am · Autopsy IV · Faith No More


Worrisome Heart had a tough road to travel before making it to our ears, and had it not been for a horrible accident when Melody Gardot was nineteen we may not have ever heard her voice at all. At nineteen, Melody was riding her bicycle when she was struck by a car, ending up with a head injury that caused cognitive impairment. As fate would have it, during her rehab her doctor suggested that she try making music to help repair that damage. Katherine Wright of the Music Therapy Association explains, “Music enables a person to reminisce and reconnect with her sense of identity. Songwriting is an excellent tool to use when working on concentration and other cognitive issues.

Following her doctor’s suggestions, Melody started writing and recording the first pieces of her songbook, which would become her debut EP, Some Lessons the Bedroom Sessions. Some Lessons garnered the attention of a DJ at WXPN (a station known for launching the careers of Amos Lee, as well as Norah Jones). She also won a People’s Choice award from City Paper Philadelphia in 2005.

I only tell you the back story because I find it really interesting. It’s obvious this girl was meant to make music, but it took a 2000 pound automobile moving at a high rate of speed to put her on that path. It’s kinda freaky in that ‘you ain’t avoiding your fate’ kinda way.

She recently released her first full-length album, Worrisome Heart, and I could go into a whole ‘here’s a 22 year old old-soul with a jazzy haunting voice that knows real pain’ type of spiel. Instead, however, I am gonna repost here the first things that came to mind when I listened to this album and emailed my wife about it:

I don’t know much.
But I know I like her.
she makes me wanna smoke cigarettes and drink vodka outta funky glasses http://www.myspace.com/melody

I was politely asked by Melody’s people to remove the songs so here are 3 videos from YouTube:



Melody Gardot’s Official Site, Melody Gardot on myspace, Buy Worrisome Heart

May 20, 2008 1:29 pm · Autopsy IV · Melody Gardot

Today’s piece comes from ninebullets.net staffer (i said staff): Marci Richter

Dari is a great bartender. A hot bartender. A great, hot bartender. So, when I saw a myspace bulletin from a friend saying that Dari’s band was going to be playing Czar, the club she bartends at, I knew I had to check it out. She had never mentioned being in a band before, so I figured this was a new project and had almost no expectations, aside from seeing a hot chick in a band, when I saw Someday Souvenir. Well, it turns out Dari is a hot chick, a great bartender, and…even with a cold…also has a mean set of pipes, Add to that the fact that the other band members playing that night, Chris on lead guitar and Stephanie on rhythm guitar, are also rather talented, and it’s an understatement to say I was pleasantly surprised and it wasn’t long before I found myself bobbing my head along with the rest of the fans, most of whom knew every word. The show they were in was all acoustic, and onstage Dari mentioned this was their first time playing a live acoustic set, but it sounded very natural for them. Their myspace page actually lists five band members total (a third guitarist and a drummer), so if they sound like this unplugged and down a couple members, I definitely need to see them all together and plugged in.

The second band that performed at the show was another local group, GreyMarket. Again, due to the format of the night, there was no drummer on stage, which in this case meant that it was Cave (lead vocals, guitar) performing, as Mike (drums and backing vocals) chilled in a red velvet chair in front of the stage. I’d already seen them perform one other time and knew that I really liked their music, but I was very impressed with how well their songs came across in the acoustic format and it was nice to be able to catch them in this intimate, stripped-down show. The two of them put out textured alt rock that definitely sounds more lush than you’d expect from two members. Because I had heard their demo and seen them live, I was curious how they would do the acoustic thing, but it was great. Cave has great vocal range and sang and played his guitar with earnest emotion that has the crowd fixated.

Headlining the show was Chris Otepka of The Heligoats/Troubled Hubble. Hailing from Illinois, The Heligoats is his solo project, while he is also an active member of Troubled Hubble. He came across to me as much a comedian as he did a musician, so when I read in Splendid that, “(d)uring a SXSW showcase two years ago, Otepka broke his ankle jumping off a balcony and passed-out mid-set.” I was not at all surprised. Alternately wincing and grinning, Chris moved out of the center stage spotlight maybe 1 or 2 songs into the set, to the right and into the blue light. He stood and played in that corner of the stage the whole set, wiping the sweat from his forehead and joking between songs. His vocals were complex and rambling, but with a clear destination, and it about wore me out just listening to them. The energy that was behind everything he did was infectious and it made me hope more people were paying attention than it seemed. As the place warmed up and the drinks (and all of us) got more drunk, I noticed people chatting amongst themselves more and less attention focused on the stage, which was a bit of a shame, because he was putting on a hell of a show up there. Keeping in mind that this was an acoustic set and likely not his normal live show, I checked out the stuff on his myspace and was amazed at how different it sounded. I heard more of a Modest Mouse/Dismemberment Plan influence and even more energy, the possibility of which scared me a little for what Troubled Hubble must be like at a normal live show.

All in all, I thought this was a damned cool idea for a show and I’d love to see Czar do another one some time.

May 19, 2008 1:02 pm · Autopsy IV · Guest, The Rock Report

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